XII. UNKNOWN
XII. UNKNOWN
Months later N. found another old video by accident. A city square in winter, 1994. A woman sold balloons. A young couple argued beside a fountain. A child waved directly at the camera. The old machinery inside him started immediately. Where is the woman now? Did the couple remain together? What became of the child? N. felt the pull of the archive, the old promise that enough searching could make time answerable. He paused the video. For a long moment the child remained frozen with one hand raised. N. whispered, “I hope you had a life.” Then he closed the window. The question remained unanswered. It did not kill him.
That night N. opened File 47-B for the last time. Gabriel’s condition still read ALIVE — TEMPORARILY. N. did not contact Daniel to ask for an update. He understood now that the urge would never receive a final answer while Gabriel lived, and would not necessarily receive one when he died. The problem was not lack of information. It was the demand that information defeat impermanence. He changed the final field. PRESENT CONDITION: UNKNOWN TO ME. The sentence felt different from UNKNOWN. The first was a failure of the universe. The second admitted the boundary of a person. N. closed the file. Outside his window, apartments went dark one by one. Hundreds of lives continued beyond his knowledge. For once, he allowed them to.
Years passed—or perhaps only enough time for the story to become an old file. A stranger found a short recording on an obsolete device. In it, a man sat facing the camera and spoke in a quiet voice. “I do not know where I will be when you see this. But at this moment I am here.” The stranger watched to the end. There was no date of death, no biography, no explanation in the folder. Only a filename: N_CURRENT_STATUS. The stranger searched the name attached to the metadata and found nothing certain. For several minutes he sat before the frozen final frame. Then, with the tenderness and violence peculiar to curiosity, he wondered: Where could he be now?
“The past is not frightening because it is gone. It is frightening because, for a few seconds at a time, it still knows how to move.”
PSYCHOLOGICAL AFTERWORD The experience dramatized in this novella is not presented as a recognized psychological disorder. “Retrospective existential rumination” is a literary label for a pattern built from several established ideas. Nostalgia is often a mixed, past-oriented emotional experience rather than simple sadness. Research has linked nostalgic remembering with selfcontinuity, social connectedness, meaning, and other psychological functions (Ismail et al., 2022; Jiang et al., 2021). In the story, however, nostalgia is stripped of comfort: an old image does not merely restore connection; it generates a demand to know what happened next. The second element is repetitive negative thinking. Rumination and worry can become repetitive, difficult to disengage from, and associated with anxiety and depressive processes (Spinhoven et al., 2018; Watkins & Roberts, 2020). N.’s repeated checking, searching, and reformulation of the same impossible question are fictional exaggerations of this process. The third element is mortality awareness. Research on death anxiety and mortality salience suggests that awareness of death can influence thought, emotion, self-concept, and behavior (Burke et al., 2010; Iverach et al., 2014). The old recordings function as indirect reminders that every visible person— including the viewer—belongs to time. The story should therefore be read as psychological fiction: not a diagnosis, but an exploration of what happens when memory, uncertainty, and mortality become organized around one sentence: Where could he be now?
CONCEPTUAL MAP 1. TRIGGER — An old video, photograph, place, voice recording, object, or song evokes a person located in an earlier time. 2. TEMPORAL DISLOCATION — The viewer experiences a sharp contrast between the vividness of the recorded moment and the unknowability of the person’s present condition. 3. EXISTENTIAL QUESTION — Curiosity shifts from “Who is that?” to “What became of that person?” and often to “Is that person still alive?” 4. RUMINATION LOOP — The mind generates alternatives, searches for evidence, checks again, and mistakes renewed questioning for progress. 5. SELF-REVERSAL — The viewer recognizes that the same question can be applied to earlier versions of the self and, eventually, to the viewer’s own future absence. 6. POSSIBLE RESOLUTION — Not certainty, but tolerance of bounded knowledge: “I do not know what became of this person, and I do not have to convert that uncertainty into a duty.” This framework is literary and conceptual. Persistent rumination, anxiety, compulsive checking, sleep disruption, or distress that interferes with daily life can be discussed with a qualified mental-health professional rather than self-diagnosed from a work of fiction.
AUTHOR’S AFTERWORD I wanted the final terror of this book to be quieter than death. Death is obvious. Continuity is stranger. We look at a child in an old video and know that the adult who followed may still be alive, yet the child is unreachable. We look at our parents when they were young and feel tenderness for people who, in one sense, no longer exist. We look at ourselves and discover that memory has not preserved a continuous possession of the past; it has preserved fragments. The question “Where could he be now?” is therefore not only about a stranger. It is a disguised question about time, identity, and the fear of becoming inaccessible. Perhaps the humane answer is not to stop wondering. Wonder can be a form of care. The danger begins when care becomes an impossible obligation to know. Some people in old recordings are alive. Some are dead. Some are changed beyond recognition. Most will remain unknown to us. And still, for one flickering moment, they move.
REFERENCES Burke, B. L., Martens, A., & Faucher, E. H. (2010). Two decades of terror management theory: A meta-analysis of mortality salience research. Personality and Social Psychology Review, 14(2), 155–195. https://doi.org/10.1177/1088868309352321 Iverach, L., Menzies, R. G., & Menzies, R. E. (2014). Death anxiety and its role in psychopathology: Reviewing the status of a transdiagnostic construct. Clinical Psychology Review, 34(7), 580–593. https://doi.org/10.1016/j.cpr.2014.09.002 Ismail, S., Dodd, E., Christopher, G., Wildschut, T., Sedikides, C., & Cheston, R. (2022). The content of nostalgic memories among people living with dementia. The International Journal of Aging and Human Development, 94(4), 436–458. https://doi.org/10.1177/00914150211024185 Jiang, T., Cheung, W.-Y., Wildschut, T., & Sedikides, C. (2021). Nostalgia, reflection, brooding: Psychological benefits and autobiographical memory functions. Consciousness and Cognition, 90, 103107. https://doi.org/10.1016/j.concog.2021.103107 Spinhoven, P., van Hemert, A. M., & Penninx, B. W. J. H. (2018). Repetitive negative thinking as a predictor of depression and anxiety: A longitudinal cohort study. Journal of Affective Disorders, 241, 216–225. https://doi.org/10.1016/j.jad.2018.08.037 Watkins, E. R., & Roberts, H. (2020). Reflecting on rumination: Consequences, causes, mechanisms and treatment of rumination. Behaviour Research and Therapy, 127, 103573. https://doi.org/10.1016/j.brat.2020.103573 Research note: the fictional phrase “retrospective existential rumination” should not be treated as a diagnostic category. The references above support the real psychological constructs discussed in the afterword, not the existence of the fictional condition as a disorder.
Syed Muhammad Hur Jaffri · The Open Manuscript